ROOM 2

Emma Mortier 
Papayawhip FF EF D5
18 Sep. 2020 - 18 Oct. 2020

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My work process starts with observations, and my work is built upon it. In other words, my work is about observing a context. For example, when I look at the sea I observe all possible color representations that may occur. The constant motion of the water and other natural elements make it almost impossible for a painter to capture the sea, this is one of the reasons I am attracted to the challenge of painting this scene. The sea is a natural given that the elements always influence. It is also constantly in motion, making it almost impossible for a painter to capture it. As I said, my works  are observations of reality. I make sketches, which later lead to paintings, on the beaches of the various seas that I have studied so far (Koksijde, Cap Blanc-nez, Britany, Russia, Rio de Janeiro). In these sketches is where color and shape take precedence.







They are representations of the fleeting reality that is the sea and where I always seem to be lagging behind while painting, without being able to catch up. There is also an impossibility ofrepresentation in my paintings, which means that there is a great need to represent a painterly sea with the raw materials and elements that I collect. In this way they are also representations of what has been, snapshots in which I collect raw materials for my paintings. When I get back to my studio the sketches are transformed into collages. I choose different portions from these sketches and bring them all together in one collage. These are then translated into a larger painting format. As a painter I constantly look at this reality and transform what the sea or a natural area has to offer, this observation is processed and displayed on the canvas. Now the sea has a new form of life on a canvas, the oil painting took over from the endlessly moving water. In my exhibition PAPAYAWHIP FF EF D5 at Obsidian you will find a collection of painterly collages that originate in an organic way near their origin (the sea, the beach) and which lead their lives further in the studio.

Emma Mortier, August 2020


Exhibition Catalog




Emma Mortier




Emma Mortier

Untitled (EM_1), 2020
mixed-media on canvas
120 x 160 cm

Price on Request. Inquire

Emma Mortier

Untitled (EM_2), 2020
mixed-media on canvas
120 x 160 cm

Price on Request. Inquire

Emma Mortier

Untitled (EM_3), 2020
mixed-media on canvas
120 x 160 cm

Price on Request. Inquire

Emma Mortier

Untitled (EM_4), 2020
mixed-media on canvas
120 x 160 cm

Price on Request. Inquire



Emma Mortier

Untitled(EM_5), 2020
mixed-media on canvas
120 x 160 cm

Price on Request. Inquire

Emma Mortier

Untitled (EM_6), 2020
mixed-media on canvas
120 x 160 cm

Price on Request. Inquire


Emma Mortier

Untitled (EM_7), 2020
mixed-media on canvas
120 x 160 cm

Price on Request. Inquire



Emma Mortier

Untitled (EM_8), 2020
mixed-media on canvas
120 x 160 cm

Price on Request. Inquire




Emma Mortier

Untitled (EM_9), 2020
mixed-media on canvas
120 x 160 cm

Price on Request. Inquire

Emma Mortier

Untitled (EM_10),
2020
mixed-media on canvas
120 x 160 cm

Price on Request. Inquire


Emma Mortier

Untitled (EM_11), 2020
mixed-media on canvas
90 x 120 cm

Price on Request. Inquire

Emma Mortier

Emma Mortier  is a Belgian artist, currently living and working in Ghent. In 2016, she graduated from a Master in Fine Arts at KASK School of Arts in Ghent. Mortier has presented solo exhibitions at Zebrastraat in Ghent (2017) and at KABK Oudenaarde (2017-2018). Her art has also been exhibited in group shows, such as at the Croxhapox in Ghent (2015), Plagiarama Galerie Rivoli in Brussels (2016) and BLANCO in Ghent (2018).

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